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Asserts that traditional southern music was not divided by racial boundaries, until the 1920s when artists were segregated into jazz or country and people began to believe it had always been that way.
AUTHOR : MILLER, KARL HAGSTROM
BOOK TYPE : NF
DEWEY CLASSIFICATION : 781.64089/00973
LANGUAGE : ENGLISH
LIBRARY OF CONGRESS NUMBER : 2009039108
NUMBER OF PAGES : 372
PUBLISH DATE : 2010/01/21
PUBLISHER IMPRINT CODE : UDUKE
PUBLISHER NAME : DUKE UNIV PR
RETURNS ACCEPTED? : YES
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